10/12/2023 0 Comments Village vanguard nyc![]() “I’m born into a West African stylized chiefdom system that obviously has a relationship to the First Nations persons of this country,” he explains. His new album Bark Out Thunder Roar Out Lightning, out this week, is in many ways a love letter to New Orleans diasporic culture and the global Black diaspora in general, from its lyrics to the instruments Adjuah is playing on it to the costume he wears on the cover, which is derived from Mardi Gras Indian wear. The event, which takes in notable locations related to New Orleans’ history as a slave market, culminates in a march led by drummers, from Congo Square to the Mississippi River. Since signing with Ropeadope a little over a decade ago, he’s put out a string of records that exist within a new genre he calls “stretch music,” best exemplified on his 2017 trilogy of Diaspora, Ruler Rebel, and The Emancipation Procrastination.Īdjuah has always maintained deep ties to his community, and at the beginning of this month he was named the Grand Griot of the 2023 Maafa Commemoration (“maafa,” pronounced “ma-ah-fa,” is a Kiswahili word meaning “horrific tragedy”), an annual ceremony intended to reckon with the history of the transatlantic slave trade and serve as a release from its legacy. Since releasing his debut as a leader, 2006’s Rewind That, and particularly the following year’s Anthem, he’s been traveling a path that incorporates jazz, electronic music, trap, and all the percussive and rhythmic traditions of his native New Orleans. Chief Adjuah, formerly known as Christian Scott, has been one of the most exciting musicians around for close to two decades. ![]()
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